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  <title type="text">Nigerian Cultural Heritage</title>
  <updated>2026-10-09T10:21:38+00:00</updated>
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    <name>Nigerian Cultural Heritage</name>
    <uri>https://www.nigeria.archivingafrica.com</uri>
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    <title type="html"><![CDATA[Osun-Osogbo Sacred Grove, Osun State<br />
]]></title>
    <published>2020-11-18T01:58:50+00:00</published>
    <updated>2022-08-02T00:15:47+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.nigeria.archivingafrica.com/items/show/327"/>
    <id>https://www.nigeria.archivingafrica.com/items/show/327</id>
    <author>
      <name>Andrew Devlin </name>
    </author>
    <content xmlns:xhtml="http://www.w3.org/1999/xhtml" type="xhtml">
      <xhtml:div xmlns:xhtml="http://www.w3.org/1999/xhtml"><xhtml:p><xhtml:img src="https://www.nigeria.archivingafrica.com/files/fullsize/0df0fc57d77e7cc524f2aab23c256386.jpg" alt="Shrine at the Sacred Grove"/><xhtml:br/>
There are countless artifacts scattered throughout abandoned
Yorubaland. Sacred Groves were created by the Yoruba. These Sacred
Groves were built in every town throughout Yoruba communities. The
Yoruba population numbers just under fifty million people. Over
time many of these Sacred Groves were affected by the urbanization
of local areas. Without continuous upkeep of the Sacred Groves,
much of them are very hard to recognize. Osogbo is the capital of
the Osun State. The Osun-Osogbo Sacred Grove is located here. The
Osun-Osogbo Sacred Grove is still revered, and is the largest
Sacred Grove to have survived.</xhtml:p>
<xhtml:p>The last remnants of the primary high forest is found in the
dense forest of the Osun-Osogbo Sacred Grove. The grove is named
after the river goddess Osun. forty shrines were built in the
forest along the meandering river. These shrines included artworks
and sculptures. Mostly created in the past forty years, the Osun
Sacred Grove contains nine worship points, five sacred places and
two palaces. The Osun-Osogbo Sacred Grove is very different from
most other groves throughout the Yoruba community. The Grove is
“defended” by the goddess of entrepreneurship. Since it was built
recently, it includes a large twentieth century sculpture that was
built to strengthen the connection between the Yoruba pantheon and
people. In the Shrine there is a stone stool that is over five
hundred years old.</xhtml:p>
<xhtml:p>The restoration of the grove had a major impact on the Yoruba
people. The Osun-Osogbo Sacred Grove is now the highest sacred
grove for the Yoruba people. Worship in constantly taking place at
this grove. A festival that occurs every year takes place at the
Osun-Osogbo Sacred Grove. This festival reconnects bonds between
people of the town and the goddess. The festival lasts twelve days
in July and August. The grove also has another very special role.
Within the grove are around four hundred different species of
plants. About two hundred of these plants are used in herbal
medicine in the surrounding community. The grove is around seventy
five hectares. “The sacred grove, which is now seen as a symbol of
identity for all Yoruba people, is probably the last in Yoruba
culture". The Yoruba folklore explains the goddess of fertility
named Osun, and the story of Osun is very interesting. There was a
fight between one of the wives of “Sango '' and Osun which led her
to change herself into the River Osun. The deity is considered to
live in the river which still makes the grove sacred. The grove is
said to have been discovered by an elephant hunter. Osun then made
a deal with the people which he vowed to protect the people only if
they built a shrine for her and to also protect the grove. The
belief in Osun and the shrine is very strong and deep within the
Yoruba culture. Annually at a Osun festival, the amount of people
that attend exceeds one hundred thousand. Many bring offerings and
carry out sacrifices for Osun. If women were barren they would
often visit the Osun shrine for blessings. The Grove was declared a
national monument in 1965, and all 75 hectares are protected under
the Nigerian Cultural Policy of 1988.<xhtml:br/></xhtml:p>
<xhtml:p><xhtml:em><xhtml:strong><xhtml:a href="https://www.nigeria.archivingafrica.com/items/show/327">For more
(including 5 images), view the original
article</xhtml:a>.</xhtml:strong></xhtml:em></xhtml:p>
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    <title type="html"><![CDATA[Long Juju Slave Route ]]></title>
    <published>2020-11-08T17:03:16+00:00</published>
    <updated>2022-08-02T00:31:29+00:00</updated>
    <link rel="alternate" type="text/html" href="https://www.nigeria.archivingafrica.com/items/show/325"/>
    <id>https://www.nigeria.archivingafrica.com/items/show/325</id>
    <author>
      <name>Andrew Devlin </name>
    </author>
    <content xmlns:xhtml="http://www.w3.org/1999/xhtml" type="xhtml">
      <xhtml:div xmlns:xhtml="http://www.w3.org/1999/xhtml"><xhtml:p><xhtml:img src="https://www.nigeria.archivingafrica.com/files/fullsize/ad8f5a197b02b01b6058bd47a2d85f3c.jpg" alt="Tunnels of Disappearance "/><xhtml:br/>
The city of Arochukwu, is one of the biggest cities in the Abia
State, Nigeria. The Long Juju Shrine is located in Arochukwu. This
shrine is full of beauty and is known for its important history.
The Long Juju Shrine was used to judge criminals for the crimes
they commited. During the Atlantic slave trade era, the Long JuJu
Shrine was at the height of its power. “At the height of its powers
was the most powerful deity in Igboland”. The Shrine was controlled
by a chief and members of the cult. This is the main oracular
shrine of Ibn Ukpabi and by which stands as if on guard the cult
statute of Kamalu "the warrior god". The interworking of the Shrine
was very complex. The person at trial walked into the temple
complex and prepared to face judgment from the god called Chukwu.
The throne of judgment was located inside the Shrine complex, also
known as the dark presence. If one was found guilty they would have
to walk into the dark tunnels. If one was found innocent they were
brought back to their relatives. The Long Juju Shrine acted as a
final judgment and a supreme court. There were no appeals to the
decisions made in the Shrine. As one would be found guilty, they
were told to strip of their clothes as they made their way into the
tunnels. The clothes of the guilty created the “hill of
rags”.<xhtml:br/>
The Long Juju Shrine is also connected to the slave trade. As those
found guilty disappeared into the dark tunnels a red color was
shown in a stream of water nearby. This would show relatives that
their guilty relative was killed as punishment. What would really
happen was totally different. The tunnels that the guilty would
walk through were a kilometer long. Instead of being killed, the
guilty were led down to the end of the tunnels. At the end of the
tunnels were boats waiting to take the guilty to Calabar. This is
when the guilty became slaves. The Long Juju Shrine conducted its
role in the slave trade during the 17th century up until the 19th
century. During the British assault along and around the River
Niger, the Long Juju Shrine became very important for the
surrounding kingdoms. As many tribes and kingdoms fell to the
British, the Shrine brought communities together. The shrine became
an apex court for peoples east of the Niger river. The influence
that the Shrine had on people grew very large during this time. As
the Long Juju Shrine was at its peak, some members of the Shrine
moved to other kingdoms and communities to the south, which grew
the influence of the Long Juju. The amount of slaves being
trafficked through the Long Juju Shrine was at its peak during this
time. Due to the vast influence the Shrine had reached, guilty
peoples from dozens of communities were brought from far lands up
to the Long Juju for judgement. With huge amounts of profits coming
in, the cult used this to set up satellite shrines in far
communities. This brought in even more revenue due to the higher
number of people that were sold as slaves. “With the Long Juju
network already established, trading posts and slave quarters with
satellite shrines were set up in different villages all over the
region.”</xhtml:p>
<xhtml:p><xhtml:em><xhtml:strong><xhtml:a href="https://www.nigeria.archivingafrica.com/items/show/325">For more
(including 3 images), view the original
article</xhtml:a>.</xhtml:strong></xhtml:em></xhtml:p>
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